It also means that we can’t include movies we’ve already seen and adored that have yet to be released, even if they’re right around the corner, including a number of our favorites from the last run of fall festivals (rest assured, though, they’re coming).įor now, there’s plenty of good stuff to catch up on. That means we’ve got the usual festival leftovers from last year that finally made their way to audiences, new titles from earlier festivals that have already been released, all alongside a handful of films that materialized in recent months. Our list of the best movies of the year so far follows the same basic rules as it has in years past: In order to qualify, a film must have been released in North American theaters for at least a week or on a VOD platform or streaming service in the same territory. Best of all: each of these films is available to see right now. 'White Noise': All the Details on Noah Baumbach's Film Starring Adam Driver and Greta GerwigĪ handful of the films that have already earned a mark of IndieWire distinction premiered on the festival circuit, some went straight to streaming platforms, and there’s even the odd blockbuster or two (good action movies, what a concept!) rounding out the lot. New Movies: Release Calendar for September 30, Plus Where to Watch the Latest Films And there have been plenty of new names to admire, too, including Audrey Diwan, Panah Panahi, Mimi Cave, John Patton Ford, Owen Kline, Adamma Ebo, and Jerrod Carmichael, all of whom have bowed debuts that make us feel hopeful for the future of film. Some of our favorite filmmakers have returned to the cinema with fresh visions, including everyone from Kogonada to Andrea Arnold, David Cronenberg to Daniels, Terence Davies to Peter Strickland, Lena Dunham to George Miller. The first nine months (and change) of 2022 have already gifted film fans with a wide array of incredible cinematic offerings, and there’s still plenty of titles yet to arrive on a screen near you. Freedom (and, of course, restriction, and so very much of it). Romance (forbidden, unexpected, edifying, and nurturing). Meat (both human and otherwise, and so very much of it). Even if he weren't a guitarist extraordinaire, even if he weren't so good at picking cover songs, his own lyrics and the soft gravel of his voice are reason enough to be excited.īill Patton's first album, Gets It On, is available here.Googly eyes. There are too many reasons to be excited about Bill Patton's new album coming out, whenever and on whichever label that might be on. The standouts were "Billy Jean" and "Sweet Emotion," sounding surprisingly groovy for a two-man band, the songs picking up new subtleties and tenderness that Bill can't seem to help but infuse everything with. All crooned in a deep, sage voice that has made me love Jennifer Lopez a bit more, and Bill Patton, all at once.īill pulled out an additional handful of covers at a live performance at the Sunset Tavern in Seattle last night, where he played half the set alone with his electric guitar, and the second half with kickass drummer Jason Merculief ( Alela Diane, Jesse Sykes). Hanging on every word, because the words are so smart and authentic and cutting.īut back to the covers, my personal favorite of the three (how could it not be) on his yet to be released second album is J-Lo's "Jenny From the Block", which he's transformed into a spooky, bluesy ballad that highlights the absurdity of lyrics like "I'm real, even on Oprah" by slowing it down, surrounding it by perfectly tasteful guitars and pianos. Little did I know that before I'd even gotten all the way through the first track, "Alchemy," Bill would be my new hero. I may have thought of him primarily as a guitarist had I not been one of the lucky ones who ended up with one of the circulating CD-Rs of his new solo album. That ability to make you feel nostalgia for the original version, but somehow forget all about that version by the end of the new interpretation, because it has just turned into something else.īill is a familiar face in Seattle, playing with too many bands to count (though a few of them are the Fleet Foxes, Ghosts I've Met, and Mike Dumovich), usually sitting in on pedal steel or electric guitar. Most of my favorite songs from the upcoming album by Bill Patton are originals, but the man has a way with covers that has revived my enthusiasm about artists playing each other's songs.
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